Moonrise Way

Residential

Moonrise Way is personal in the best sense — a home that reflects the lifestyle, personality, and energy of the family it was made for. Dynamic where it needs to be, soft where it should be, and always functional, it sets a stage for both quiet evenings and full-house gatherings.
  • Project Name
    Moonrise Way
  • Location
    Heber City, UT
  • Industry
    Residential
  • Square Footage
    7600 ft²
  • Year
    2024
  • Architect
    J R M / A: The Studio For Architecture
  • Interior Designer
    Andrika King Design and Jen Hart Interiors
  • Photographer
    Mellon Studio

PROJECT CONTEXT

Moonrise Way is a family home designed for an active life lived together — a place to return to after a day outdoors, gather around a table, and settle in for the night. The architecture opens generously toward expansive backcountry views, with large volumes and considered materials that carry the weight of the landscape inside.

The client wanted lighting that felt intuitive from the moment of arrival — warm, layered, and fully alive to the space — without ever becoming the thing you notice. In a home this close to the land, simplicity wasn’t a constraint. It was the point.

APPROACH & PROCESS

The Cosine worked in close dialogue with JRMA, responding to and respecting each architectural move rather than imposing a lighting logic of its own. The goal was alignment — between light and material, between warmth and function, between the family’s lifestyle and the rhythms of the space.

Early engagement proved essential. By locking in the design concept before pricing exercises began, the team was able to maintain the original vision through multiple rounds of value engineering — arriving at the finished project without compromise.

OUTCOME & IMPACT

Moonrise Way is personal in the best sense — a home that reflects the lifestyle, personality, and energy of the family it was made for. Dynamic where it needs to be, soft where it should be, and always functional, it sets a stage for both quiet evenings and full-house gatherings.

What makes it singular is what you don’t see. Architectural lighting activates the room; decorative pieces are the character. The views remain uninterrupted. The backcountry stays the backdrop it was always meant to be.

This project proves that lighting can sit in the background and allow the architecture, the materials, and the rolling view to take the spotlight.

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